Captain Obvious has taken Avril Lasagne sorry Lavigne’s “What the Hell’ and inspired by that organ part has added 100% new Ravril, the Pop Extract that Gives You Rave!
Ingredients:
SL2 – On a Ragga Tip (E101, E303, E-e-e)
Avril Lavigne – What the Hell (organic, slightly tofu flavoured)
Tongue in cheek (Silly, stupid and oh so obvious, but fun!)
Serving suggestion: on discerning dancefloors everywhere.
Here’s another bit of quick throwaway silliness for the GYBO Weekend challenge (and seems to have gone down there well – please vote if you like it!)…yes there are proper tracks coming but most are still in the ‘need to tweak’ or ‘finished someday’ category!
The challenge was to do something with Freeland’s (quite disappointing really) ‘Do You’ so taking some early Sputnik age space samples and mixing with some Indian-space-disco (yes it exists!) from Babla Orchestra ‘Aye Mere Dil Kahin Aur Chal’* we have ‘Bollywood in Space (Do it in Zero G)‘.
EDIT: Like the Fela Chippy track before it, this won the GYBO Weekend challenge against some stiff competition! Winner gets to be regal for a week and gets to choose an acapella and instrumental – I chose Pet Shop Boys ‘Always on my Mind’ for instrumental and Thou Shalt Always Kill for acapella…and by that choice directly inspired 2 great tracks from Dunproofin and LV15
* this is a space disco cover of a 1952 Bollywood track:
I discovered this old Northern Soul gem on ‘Shoot the Piano Player’ records down the charity shop – who knew that Marvin Gaye and Mayer Hawthorne ripped this poor guy off? I ripped it from the original 7″ in glorious original mono just for y’all.
Third act: Our hero Captain Obvious travels to Ancient Greece and Babylon in search of Dionysus, Apollo, Silenus and Bacchus for a Bacchanal and to Xanadu where did Kublai Khan a pleasure dome erect (trans: a right royal knees up).
OK it’s not as pretentious as it sounds, but then again not many bootlegs contain quotations from Nietzsche’s Birth of Tragedy, Coleridge’s Kubla Khan, Dionysus, Babylon, Geoffrey Palmer AND Ian McKellen? Actually it’s a party record containing the new Scissor Sisters track ‘Invisible Light’ which is obviously a rip of Frankie Goes to Hollywood’s ‘Welcome to the Pleasuredome’ – even down to the speaky bit. So I’ve reunited them via the Thomas Shumacher and Fruitness mixes of FGTH, and the Siriusmo and original mixes of Invisible Light in two parts.
First is the shorter radio* mix without the intros, slightly different structure at 4:40 – enter stage left the Silenus in Shorts mix:
And the finale is my homage to the ZTT production team and their long extended DJ mixes I grew up with, usually including quotations (hence the Birth of Tragedy from the Fruitness mix – but both songs mention Dionysus/Bacchus too interestingly) so this at 7:33 is the Dionysus vs Apollo full length DJ mix.
* if I ever got played on radio that is…hurrumph. Actually the first Captain Obvious track was played on German radio on Mash Up Your Boots radio – thanks Dr Waumaui / Morgoth!
Another slice of cheesy rather obvious dancefloor fun from Captain Obvious – this time inspired by DJ Schmolli’s excellent Joan Jett vs Crookers ft Yelle mashup, I’d not heard the Crookers track before and immediately thought Laura Branigan’s hand-punching classic ‘Self Control’.
So here it is – not exactly genre-defining, full of cheese du guilt and probably not that original. I’d store it behind the breadbin and only get it out secretly on Sundays if I were you.
Oh I hope you like the artwork, again by the legendary JCBF Productions – last seen on those classic compilation cassettes in the early 90′s, they’ve come out of retirement just for the ol’ Cap’n.
First quickie mash as part of Jez CMP’s Weekend Challenge (to create a bootleg in a weekend) and as I don’t release things enough (sit on them for months > years) I thought like the CO bootleg to just get this out there to the usual deafening silence
The instrumental given was Hot Chip’s ‘One Pure Thought’ and it’s afrobeat drums reminds me of Fela Kuti, the king of Afrobeat, so here it is mashed with ‘Lady’ and a little bit of ‘Schuffering and Schmiling’. Given the sources probably about 0.5 people will get it, but if it makes one person (or 0.5 of one) check out Fela’s back catalogue such as Black President then job’s a good ‘un.
New mashup, new alias – totally obvious, the most cheesy mashup I’ve done as inspired by FAROFF’s Dead or Alive vs Lady Gaga ‘Telephone’ mash, this is Right Round by Flo Rida ft Ke$ha vs Lady Gaga’s ‘Bad Romance’ – so completely obvious and surprised no-one has done it before (maybe they have?) hence Captain Obvious.
EDIT: I’ve tweaked this with advice from the wonderful Voicedude so it’s even better and less clashy in the choruses so please redownload this version…aint close-harmonied chorus/autotune a bitch?
Pretty proud of this one – my current summer’s coming earworm, ‘Nothin’ on you’ by B.O.B aka Bobby Ray ft Bruno Mars mashed with Gnarls Barkley’s classic ‘Crazy’ and a little production from me.
Nothin’ Crazy (B.O.B. ft Bruno Mars vs Gnarls Barkley)
The mashup cupboard emptying and Aphrodite-luvvin’ continues, this time with Instamatic on the mix (could just as well be a DJNoNo release but it’s more on the serious side; the quote at the start from one of my favourite films Garden State about family changes was rather spookily prophetic – this track was finished in July last year!)…anyway this takes Fever Ray’s excellent ‘When I Grow Up’ and makes it share a bunk bed with Aphrodite’s jungle classic ‘Stalker’.
Like some of my mashup vids I sometimes make mashups or longmixes with a feeling or specific intention to be about something – this was definitely about me having to empty my room at home the year previous – and became prophetic about the thoughts around my mother’s death and emptying the house. I don’t think we really appreciate those things til they’re gone.
Why did I hang on to it so long? Dunno, I rarely release stuff anymore…I still create mashups but have felt really apathetic about releasing them (ditto with podcasts, bar the making bit!). I think the inevitable criticism or attention wears heavy on me, as I’ve said before I make them for me, this is music as I’d like to hear it, or makes me laugh. If anyone else likes it it’s a bonus…but I’d be lying if external opinion had no bearing which tends to lead to apathy or being wary about letting others hear it, as a really negative review can make me disown ‘my children’ for years (see Stone Cold Roses for that one). It’s also why if you dig around the Wimpy player on the Artists site sometimes you might get the odd unreleased ‘surprise’