This almost became a Captain Obvious track, because to me, the new one from Lil Nas X – Sun Goes Down is basically Wonderwall by Oasis? It was either this or the Verve’s Lucky Man, there’s a real Britpop vibe with this song about struggling as a queer teen in the closet – I can totally relate. Maybe because when I was a struggling queer teen, Britpop was my soundrack.
This is a real lighter in the air track! I made it with the first night of clubbing in mind in June….as a sort of drunken ‘everyone come together’ closer. And also a first – I have never done a Wonderwall mashup in nearly 20 years. Came together really quickly because I suspect someone will do it very shortly…like other Lil Nas X tracks I put it out there and just hope it’s in key 😛 I think this one is….
3rd place inthe Crumplbangers Discord ‘reverse’ challenge which was a hard one – use a reversed instrumental or acapella in a mashup. Not many things sound good reversed, and beats were a tricky issue…it was hard to get something listenable beyond 30 seconds of reversing, the novelty wears off fast.
I’ve always wanted to work with musical palindromes (music that plays the same backwards as well as forward) and although most of them are classical pieces, there are a few modern tracks like Boards of Canada’s Music Is Math from Geogaddi (an album full of Satanic Reverses – spooky reverse/backmasking songs – interestingly this doesn’t seem to have any). It’s like a mirror song, you can see it in the waveform, part backwards, part forwards.
So following the mirror theme, I looked for tracks that reference beginning and ends, Smashing Pumpkins and NIN didn’t work, but a new track by Crosses did. I knew nothing about Crosses til I found it, it’s the side project of Chino Moreno of the Deftones. And it’s a cover of Cause & Effect.
I also then found the Black Sabbath track, which together give it a doomier feel and something of a paean to the planet and it’s destruction and return to the ‘new normal’ as we come out of lockdown.
Is it the end of the beginning or the beginning of the end? We need to repair the system, as Ozzy says…again a personal mashup from me about the status quo.
Crumplbang Discord challenges that is (kind of like the old GYBO challenges). Why, what were you thinking of?
Enjoying my ‘retirement’ as an undead zombie producer so much I’ve done these mashups, and I think they are rather good. Decided to just post stuff and critics be damned.
The first one was done for the EDM challenge I’m rather proud of this one. The challenge was to have a song with an EDM drop in it – this is as close to EDM I’ll ever get, the new Bicep album Isles is ace.
And a rare thing from me – a multimash, well sort of, there are tracks from each artist – Bicep and Fleetwood Mac. You might not spot it, but I mixed in and out of Lido and Cazenove by Bicep – same key….And it uses Dreams and Tango In The Night by Fleetwood Mac – 1975 meets 1987 in this dreamy call and response. Dream house, indeed (yes that was a genre, once). And an acapella I made from that exceedingly hard to extract album.
The second was for last week’s Crumplbangers Discord challenge – which was to create a A vs B but add drums or percussion from another track. After a failed attempt to make a drum and bass Nirvana track about educational policy (ya rly) I decided to start again with the Old Skool Breaks idea and make a proper old school battle weapon. This is what I would enter the ring to, if I was DJing IRL anymore (and indeed if anything was open…)
I’m no stranger to mashing either of these artists together – my Genesis of the Rascals uses Fix Up Sharp vs the original Genesis as a naughty DJ Hero stealback, and also did a version with Stand Up – but weirdly never Old Skool by Dizzee even though I tried many times. And I never worked with the Think Break AFAIK. Also I never got a Phantom mashup to work back in the day either, so this is revenge as I used the WWW version which is a Justice mashup in itself.
It didn’t win the challenge, but got a respectable fourth in a field of 15 other entries. Not too shabby. Listening back to my other track, I might fix that and try and find a better vocal for it. Drum and bass Nirvana does work, just not with that vocal.
P.S. have to thank Ian from Shitty Mashups whose Episode 16 mashup using Justice’s Genesis with Young MC and Bruno Mars reminded me of how ace Genesis is under a hip hop track. Well why reinvent the wheel?
Did ya miss me m8ys? I nevah left! Just like CORVID-69 or wutever tis called.
Ere’s sum mash 4 yr cat 2 vibe to – or whatevah the kidz say nowadaze – Ievvan Polkka by Bilal Göregen – Eve’s Polka, she gits arund I hear – vs accordion cover by Sean Kelly of thar best poop song EVAH Donald Where’s Your Troosers on ze accordion (of COURSE!) n’ tha nuest sound – donkz n shit!. F
inland meetz Turkey via Scotland on Crumpr for a treesome n’ Crumpl-bangs its brainz oot! And I spent MINGING HOORS on tha cuvver, as the Scotz wud sae. Haggis ahoy!
And appropriately for the 4th of May, here’s the 4th volume of my best-of series ‘Kodiak Moment’ taking us up to the modern day – 2012-2020. Includes tracks from my last retirement which lasted a lot longer than this one, and even includes a Star Wars mashup as well (Star Wars Gurlz from 2015).
We even have three mashups from what I call ‘How To Mash In An Apocalypse’ series, about the lockdown and pandemic – and the first track that lead into the Black Block album.
For the first time we have the few of my viral hits in lossless quality and remastered – ‘Her Breath Is The Wind’ and the Captain Obvious swansong ‘Madonna Has A Kiki’ which still crops up in the oddest places still (a dance class video was my favourite). Most bar the newer tracks have been remastered, and there are three bonus tracks.