And appropriately for the 4th of May, here’s the 4th volume of my best-of series ‘Kodiak Moment’ taking us up to the modern day – 2012-2020. Includes tracks from my last retirement which lasted a lot longer than this one, and even includes a Star Wars mashup as well (Star Wars Gurlz from 2015).
We even have three mashups from what I call ‘How To Mash In An Apocalypse’ series, about the lockdown and pandemic – and the first track that lead into the Black Block album.
For the first time we have the few of my viral hits in lossless quality and remastered – ‘Her Breath Is The Wind’ and the Captain Obvious swansong ‘Madonna Has A Kiki’ which still crops up in the oddest places still (a dance class video was my favourite). Most bar the newer tracks have been remastered, and there are three bonus tracks.
The Rise of The Aliases! I wasn’t exactly a stranger to aliases before but something about the second explosion of work around 2008-2010 meant I was wanting to branch out and not get bogged down with past failures while I was learning…many of which I had to fix on Volume 2!
instamatic, Captain Obvious, Dj cONTaMInAtioNs, Mashbusters, timbearland, Buyrite Soundsystem, they are all here, including never released originals for the first 72 which got hacked around in the final mix -and the receipts on what happened there – and various album projects I was part of like APC’s ‘We All Kissed A Girl’ or ones organised like the Joe Strummmer one This One’s For Joe and Fleetwood Mix.
Surprised at how uptempo this is, very much aimed at Bootie at this point, and how difficult some of it was to master – I was learning Ableton which strangely made it harder to mix and tweak since although I still use that software, I moved platforms since so many plugins don’t work on my Mac – and I was struggling with using electro house – Daft Punk, Justice etc which has all these mid-range frequencies that clash with vocals.
Also I set T-Racks not only to stun but quite often it’s ‘Kill’ setting – this was the middle of the loudness wars! Hence why I remastered gentler versions here – I don’t like my work to be that bricked, even if it does ‘cut through’ dancefloors.
36 tracks, mostly remastered and for the first time in lossless high quality – 25 album tracks and 11 bonuses with demos, alternate versions and extra tracks that didn’t make the album cut.
Picking up where the first one left off with also a look into the pre-history of my first mashups – included is my third ever mashup, and there is earlier in the secret bonus section *only* with the full album download.
Includes: Exclusive unreleased bootlegs and annotations for each bootleg, extra bonus demos and alternate versions, and I have remixed and remastered many of them to make them all nice and shiny for 2020.
I have sourced 36 of the 38 tracks from lossless sources, many for the first time as they existed only as low-res MP3 on here.
It is like a bootleg box set!
And there is more to come in this set, I have deeply raked over the last 17 years of making mashups.
Instamatic – Future Sound of Peaches (Future Sound of London vs Peaches 2003-4)
Instamatic – Jump Uprising minimix including Ludakris Bastard version (Ludacris vs Kriss Kross vs Kid Carpet), Jump x2 (House of Pain vs Kriss Kross) and Renegade Trouble (Wildchild vs Beastie Boys) – 2004
Instamatic – My Telephone Doesn’t Work (aka Telephonic Sympathy – Missy Elliott vs Kraftwerk vs Coldcut vs Grandmaster Scott and Dynamic 3 – 2005 – 2020 tweaks)
Part of a series called ‘let’s make the life hard of those who finished their festive mashup compilations in October’, – finally live, the Xmash compilation new and old Christmas Classics in ‘high’ quality – well we are in part talking DJNoNo here so quality is extremely subjective – but two new mashups from me, including one that has only just been finished and not previously released – the Massive Attack vs Greg Lake one.
Yes I made Massive Attack’s Teardrop simultaneously upbeat and festive and more depressing…how strange the change from major to minor. It is very much a Lockdown Xmas Coronacoaster bittersweet track…
Some old classics and two new mashups now in high quality in a single downloadable package! From bah humbug mashups and downtempo chilled dubby ambient mixes to upbeat drum and bass and party tunes, to a set of covers by TBC Poundsystem – and there even is a Secret Santa gift if you download the whole album!
Have a Happy Christmas and New Year in lockdown, and be as safe as possible…it is going to be a weird one, and this one goes out to those who have a love/hate thing with this time of year. I see you – and even better I have warped festive tunes for you!
Captain Obvious Strikes Again! His latest mashup is so unapologetically gay it would spontaneously set a Chick-Fil-A on fire with it’s glamourous flamboyant hot mess campness!
It’s Madonna’s ‘Vogue’ vs Scissor Sisters ‘Let’s Have A Kiki’ – I so LOVE the Kiki track still, it’s not true so when I found the acapella I had to make it even camper. In fact camp as a row of tents but then so am I when at a Kiki 😉 BIG AIR MWAHS to Ronald Koenders and CjR for various *gorgeous* accessories.
New video for my Scissor Sisters vs FGTH mash ‘The Light of Pleasure’ – I’ll save you the bumf about how and why, apart from it features one of my favourite directors, Kenneth Anger and some Len Lye influenced jiggery-pokery from Instamatic…which is also me! Confusing this multiple alias lark…
Third act: Our hero Captain Obvious travels to Ancient Greece and Babylon in search of Dionysus, Apollo, Silenus and Bacchus for a Bacchanal and to Xanadu where did Kublai Khan a pleasure dome erect (trans: a right royal knees up).
OK it’s not as pretentious as it sounds, but then again not many bootlegs contain quotations from Nietzsche’s Birth of Tragedy, Coleridge’s Kubla Khan, Dionysus, Babylon, Geoffrey Palmer AND Ian McKellen? Actually it’s a party record containing the new Scissor Sisters track ‘Invisible Light’ which is obviously a rip of Frankie Goes to Hollywood’s ‘Welcome to the Pleasuredome’ – even down to the speaky bit. So I’ve reunited them via the Thomas Shumacher and Fruitness mixes of FGTH, and the Siriusmo and original mixes of Invisible Light in two parts.
First is the shorter radio* mix without the intros, slightly different structure at 4:40 – enter stage left the Silenus in Shorts mix:
And the finale is my homage to the ZTT production team and their long extended DJ mixes I grew up with, usually including quotations (hence the Birth of Tragedy from the Fruitness mix – but both songs mention Dionysus/Bacchus too interestingly) so this at 7:33 is the Dionysus vs Apollo full length DJ mix.
Currently there are a few of the boots I played at Bootie in San Francisco:
Push it Slut (French Avenue 2006) – An older boot from 2004 given a sparkly new treatment and basically redone from the ground up, adding Kraftwerk’s Tour de France to the existing mix of Avenue D’s ‘Do you Think I’m a Slut?’ and Salt n’ Pepa’s classic ‘Push It’
Alison She’s So Horsey – sort of floating around for a while, this is an excercise in taking the piss out of Ms Alison’s ‘Ride a White Horse’ which like a lot of Goldfrapp wears it’s influences not only on it’s sleeve but pretty much has stolen the whole wardrobe! So I mixed it with Laidback ‘White Horse’ and a spoof of that called Disco Horse
Ghetto Tits 2006 – another remake and a companion to Push it Slut, this is Benassi’s remix of Outkast’s Ghetto Musick mixed with various Peaches tracks, with added Scissor Sisters ‘Tits on the Radio’ and Salt n Pepa and a touch of Kraftwerk again for good measure. That’s if your measure is slightly tilting and vibrating from the bass, that is.
LFO Can’t Turn Around – a bit of a cheat this one, it’s been released in the R-House mix before but never seperately, this mixes LFO ‘LFO’ with Farley Jackmaster Funk’s house classic ‘Love Can’t Turn Around’ and I’m rather fond of it.
This one was done quite a while ago (way before the album, the tour, and SS getting so big, when they released Comfortably Numb as a single) and many people tried this acapella with, well everything…it’s such a weird tonality and vocal that not many things work…so when I heard the then-new Air album ‘Talkie Walkie’ (well worth getting) the track ‘Run’ leapt out at me as something that would work.
This track, is, well not so chilled but from a cold and scary place… Comfortable Run