Again MrNoNo is too lazy to post this himself, so muggins here has to do it. He did leave a note:
“Brought to you by the Watermelon Marketing Board, why not leave home for a watermelon tonight? Exit Planet Pips, bring your girl a watermelon, or maybe your Chemical Brother some watermelon flavouring.”
No idea what that means.
Again for the 60+ years time difference Crumplbangers Discord Challenge, DJNoNo wandered in with some 78’s and a copy of Exit Planet Dust and made a Proper Old Skool Crumplbanger. There’s a track from 1925 – Savoy Havana Bandand 1995 – The Chemical Brothers – Leave Home, 70 years difference. And some TED Talk rabbiting on about being too busy…I think DJNoNo didn’t like his work being called that, so he got in early…They have TED Talks in Nantwich now?
“Fuck electroswing”, says Mr NoNo. Yeah he’s not a fan since those posh twats in suits took it over.
(This is the original song that the Bonzo Dog Band coverered)
The Rise of The Aliases! I wasn’t exactly a stranger to aliases before but something about the second explosion of work around 2008-2010 meant I was wanting to branch out and not get bogged down with past failures while I was learning…many of which I had to fix on Volume 2!
instamatic, Captain Obvious, Dj cONTaMInAtioNs, Mashbusters, timbearland, Buyrite Soundsystem, they are all here, including never released originals for the first 72 which got hacked around in the final mix -and the receipts on what happened there – and various album projects I was part of like APC’s ‘We All Kissed A Girl’ or ones organised like the Joe Strummmer one This One’s For Joe and Fleetwood Mix.
Surprised at how uptempo this is, very much aimed at Bootie at this point, and how difficult some of it was to master – I was learning Ableton which strangely made it harder to mix and tweak since although I still use that software, I moved platforms since so many plugins don’t work on my Mac – and I was struggling with using electro house – Daft Punk, Justice etc which has all these mid-range frequencies that clash with vocals.
Also I set T-Racks not only to stun but quite often it’s ‘Kill’ setting – this was the middle of the loudness wars! Hence why I remastered gentler versions here – I don’t like my work to be that bricked, even if it does ‘cut through’ dancefloors.
36 tracks, mostly remastered and for the first time in lossless high quality – 25 album tracks and 11 bonuses with demos, alternate versions and extra tracks that didn’t make the album cut.